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“It had to be El Chavo del Ocho,” they say. This almost familial unity is perhaps best seen in those moments when the residents collectively express frustration towards the hero’s antics. (Photo by LUIS ACOSTA/AFP via Getty Images) As hilariously obnoxious as Quico can often be, he ultimately sees El Chavo as a friend.īolaños at the launch of the animated El Chavo series.
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It’s a community tied to a place, “la vecindad,” and therefore to each other. Their disputes never devolve to cruelty or malice, and they are just as quick to forgiveness as they are to anger. This group of people don’t always see eye-to-eye, but when it counts they are willing to help out each other. Compassion and solidarity lie at the core of El Chavo del Ocho. She doesn’t mince words when it comes to her disdain for the others and advises Quico to “not hang out with the riffraff ” – or as she would say it, “la chusma.”Īlthough the show’s conflicts are necessary for its comedy, no one is rendered totally villainous, not even Doña Florinda. In fact, a lot of the gags come from these individuals not allowing themselves to be undermined or humiliated by those with more resources, like Doña Florinda. While the social classes of the characters, and the nuanced differences of circumstances between them, are made evident and form part of the mechanics of the story, El Chavo and his struggling neighbors had a sense of pride. We then cheered as our hero took every opportunity he could to get his hands on food, especially if it was a ham sandwich (torta de jamón), because he didn’t know when his next meal would be. We saw Quico getting a slew of wonderful toys for Christmas, while La Chilindrina had a single doll and El Chavo spent the holiday empty-handed.
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However, it was particularly relatable to those of us of with low-income upbringings. With its endearing relationships and absurdist shenanigans, El Chavo del Ocho amused audiences across the socioeconomic strata.
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There’s La Chilindrina ( María Antonieta de las Nieves), a freckled and astute girl who knows how to manipulate her father Don Ramón ( Ramón Valdés), a grumpy middle-aged and out-of-work scoundrel Quico ( Carlos Villagrán), a spoiled brat whose big cheeks impede his speech his uptight and hair-rollers–wearing mother Doña Florinda ( Florinda Meza) and her love interest El Profesor Jirafales ( Rubén Aguirre), an elementary school teacher whose last name alludes to his giraffe-like lankiness. (Photo by SUSANA GONZALEZ/AFP via Getty Images) Stamps made to commemorate Bolaños’s characters, El Chavo and Chapulin Colorado. Over the years, the cast became almost inextricable from their parts. Each of them was sharply drawn and had their own catchphrases that have become ingrained in the Mexican and Latin American vernacular. Part of the show’s brilliance lies in the creation of these supporting personalities with whom Chespirito populates El Chavo’s world.
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There’s an underlying sadness to El Chavo’s circumstances and history of abandonment, which Chespirito doesn’t entirely shy away from (there are touching moments throughout the series’ numerous episodes), but it is infused with humor, much of it drawn from the character’s interaction with the neighbors who come to tacitly adopt him.
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Why is the series and its creator so peerlessly cherished among Latinos? With El Chavo del Ocho, Chespirito gifted us a story that communicates across ages, income levels, and even borders – all via the unifying power of hilarity.ĭressed in worn-out khaki pants, a striped shirt, suspenders, and a tartan hat with earflaps, the title character of El Chavo del Ocho, El Chavo, is a young and poor orphan whom the neighbors assume lives in a barrel in the courtyard of a working-class apartment complex, or “vecindad.” As with all the child roles in the show, El Chavo is played by an adult, Chespirito himself, who leans into the character’s kindheartedness and mischievousness. is such that in 2016 the city of Los Angeles declared September 8 as “El Chavo del Ocho Day.” Long in syndication in many countries, including the United States via Univision’s channels, the show continues to enjoy a vast multigenerational fanbase half a century later. Of the legion of comedic characters penned – and in many cases also played – by the late Mexican entertainment wizard Roberto Gómez Bolaños, better known as “Chespirito,” his most widely beloved are those who feature in El Chavo del Ocho, an iconic pillar of Latino pop culture.įirst aired in the early 1970s on Televisa, the Mexican media empire behind all of Chespirito’s shows and which later distributed them internationally, the sitcom rapidly achieved stratospheric popularity across Latin America at the height of its success it reached an average of 350 million viewers per episode.
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